By John Taylor
This publication is either a sequel to writer John Taylor’s previous quantity Into the center of ecu Poetry and anything varied. it's a sequel simply because this quantity expands upon the bottom of the former booklet to incorporate many extra ecu poets. it really is varied in that it's framed through tales within which the writer juxtaposes his own reports concerning ecu poetry or ecu poets as he travels via assorted international locations the place the poets have lived or worked.
Taylor explores poetry from the Czech Republic, Denmark, Lithuania, Albania, Romania, Turkey, and Portugal, all of which have been lacking within the past amassing, analyzes heady verse written in Galician, and offers a huge poet born within the Chuvash Republic. His travel via eu poetry additionally provides discoveries from international locations whose languages he reads fluently—Italy, Germany (and German-speaking Switzerland), Greece, and France. Taylor’s version is Valery Larbaud, to whom his feedback, with its liveliness and analytical readability, is usually compared.
Readers will take pleasure in a renewed discussion with eu poetry, specifically in an age whilst translations are not often reviewed, found in literary journals, or studied in faculties. This publication, in addition to Into the guts of eu Poetry, motivates a discussion through bringing overseas poetry out of the really expert confines of international language departments.
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Extra info for A Little Tour through European Poetry
Gave a talk welcoming the Italian futurist (and Fascist) poet Filippo Marinetti to Berlin, [and] was briefly vice president of Hitler’s . . ) and banning him from writing altogether in 1938. ” Having worked as a doctor in a whorehouse in Brussels during the First World War, he now found himself assigned to study suicide among the military in the second. ” These changes in perspective often surprise the reader. So Benn’s postwar reputation and “reception” rather resembles that of the philosopher Martin Heidegger (1889–1976), who likewise adhered to Nazi ideology for a short period of time and who, like the poet, never explained why, let alone repented, after the war.
He drafted a declaration of loyalty,” continues Hofmann, “to the newly returned Nazi government . , addressed a sharp ‘reply to the literary émigrés,’ . . gave a talk welcoming the Italian futurist (and Fascist) poet Filippo Marinetti to Berlin, [and] was briefly vice president of Hitler’s . . ) and banning him from writing altogether in 1938. ” Having worked as a doctor in a whorehouse in Brussels during the First World War, he now found himself assigned to study suicide among the military in the second.
Benn’s expressionist propensities can be harshly graphic, as in this early poem “Little Aster,” from the 1912–1920 period: A drowned drayman was hoisted onto the slab. Someone had jammed a lavender aster between his teeth. As I made the incision up from the chest with the long blade under the skin to cut out tongue and palate, I must have nudged it because it slipped into the brain laying adjacent. I packed it into the thoracic cavity with the excelsior when he was sewn up. Drink your fill in your vase!
A Little Tour through European Poetry by John Taylor